Carter Beauford of the Dave Matthews Band is one of the reasons I play drums.
(Start here, then go listen to some tunes. It may be helpful to start with the band's first major release, 1994's "Under the Table and Dreaming." )
I started playing drums in the sixth grade in the middle school band. By the seventh grade, I had a drum set in the basement and was jamming with a friend (a once-in-a-lifetime guitar talent, it turns out). By the ninth grade, everything I heard on the radio just made me mad. I'd constantly think to myself - or complain aloud to anyone who would listen - "I can do anything any of these guys do! Why am I not famous and making loads of cash as a drummer?" (Reason number one is probably that I was fifteen years old, but I wasn't really thinking of that.) Anyway, long story short is that I wasn't hearing anything that I thought was creative or sophisticated, and I was pretty frustrated with what I thought was the height of modern pop-rock drumming.
The summer after my junior year I had to borrow a car from my boss (cool boss, no?) to run an errand. Her car was a late model Acura with a killer sound system, and the disc that was playing was the aforementioned "Under the Table" album. I had heard of DMB but never actually listened to them, so I didn't even know who I was listening to. When I got back I was actually a little disappointed when I found out (skeptical kid!), but it was too late. I was hooked. I had never heard a drummer do things like Carter did/does with the backbeat, fills, set-ups and pulse*. It was like going from black and white to color.
Fast forward about six years and I owned everything then available from DMB and played in a band that had a fiddle player. And since then I've done more studying and listening and loved every minute of it. Carter B is the man, and his playing has only gotten better and more musical.
After you've had a chance to just get immersed in the music, it's worth checking out Carter's instructional video, "Under the Table and Drumming." There's not a ton of nuts and bolts instruction, but a lot of, "This is what I was doing on this part," and a few great conceptual things.
There are a million videos I could choose from to give you a sample of Carter's playing, but I've always believed that's all about the music - the song as a whole - and that the drummer has to contribute to that. So this track is my all-time favorite DMB tune, and one of Carter's grooviest and most musical performances.
One caveat: this video conforms to the radio edit of this track. Do yourself the favor of tracking down the album version and giving it a thorough listen. It's almost double in length to this version. No offense to Dave, but the best music happens after the singing stops. See if you can count the number of instruments being used during this track.
Alright, enough talk (er...type). Let's get to the tune.
As always, happy drumming!
*It doesn't hurt that Carter plays an unusually large and complex drum kit. You can check out his current configuration of gear here.